Just that instruction proved hugely useful as when I reached the spot I looked around me with a different mindset, and noticed the huge numbers of secret communications boxes and hatches, the security cameras right there. I was to ‘be an engineer’ at the junction of Bath St and Buchanon St. Eventually the dart hit the map and I had a location at which to undertake my oblique strategy. It started with our throwing a dart at a map.but the dart had an old paint encrusted paintbrush tied on the back.so however you threw it bore no relation to the final trajectory.
#Brian eno oblique strategies doc series
In fact the mapping project was one giant series of oblique strategies from beginning to end. Frank Scheffer, 2001.We were introduced to Brian Eno and Peter Schmidt’s oblique strategies this term as part of our mapping project.
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See also handwritten Q&A with Eno realised in preparation for the book. Slobodan Cicmil, Belgrade: Radionica Sic, 1986, 236 pp. Slobodan Cicmil and Goran Vejvoda, afterw.
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Shanken, London: Whitechapel Gallery & Cambridge, MA: MIT Press, 2015, pp 166-171. Gregory Battcock, New York: Dutton, 1981, pp 129-141 excerpts repr. in Breaking the Sound Barrier: A Critical Anthology of the New Music, ed.
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Quoted in Eno and Mills, More Dark than Shark. The essay is discussed in Eno and Mills, More Dark than Shark. privately published in 25 copies none of which are known to exist today, according to Eno’s management, Opal Ltd., London.